University of California history professor Kevin Dawson knows a thing or two about the longstanding connection between African people and the ocean – he literally wrote the book on it, in fact, with “Undercurrents of Power: Aquatic Culture in the African Diaspora”. So it should come as no surprise that when African surf brand Mami Wata set out to make a gorgeous 300-page tome exploring African surf culture (called “Afrosurf”, which you can and should preorder here), they tapped Dawson to shed some light on just how deep Africa’s surfing roots go.
The following excerpt from “Afrosurf”, titled “A Brief History of Surfing in Africa and the Diaspora”, is Dawson’s table setting for the rest of the book, offering a historical context for the vibrant, dynamic wave riding cultures that exist throughout the continent and have for a very, very long time. We’ll let Dawson take it from here:
“A Brief History of Surfing in Africa and the Diaspora”
By Kevin Dawson
Popular histories of surfing tell us that Polynesians were the only people to develop surfing, that the first account of surfing was written in Hawai‘i in 1778 and that Bruce Brown, Robert August and Mike Hynson introduced surfing into West Africa. All these claims are incorrect.
The modern surf cultures currently developing along Africa’s long shoreline are not something new and introduced, they are a rebirth — the remembering and reimagining of 1,000-year-old traditions. The first known account of surfing was written during the 1640s in what is now Ghana. Surfing was independently developed from Senegal to Angola. Africa possesses thousands of miles of warm, surf-filled waters and populations of strong swimmers and sea-going fishermen and merchants who knew surf patterns and crewed surf-canoes capable of catching and riding waves upwards of ten feet high.
Africans surfed on 3- to 5-foot-long wooden surfboards in a prone, sitting, kneeling, or standing position, and in small one-person canoes. Despite Brown’s claim that “The Endless Summer” (1966) introduced surfing into Ghana, if viewers shift their eyes away from August and Hynson, they will see Ga youth of Labadi Village, near Accra, Ghana, riding traditional surfboards, which can still be found at some beaches. The ability of Ga men, in the film, to stand on the Americans’ longboards illustrates their surfing tradition.
Africans also rode longboards, about 12 feet long, and used them to paddle several miles. English anthropologist Robert Rattray provided the best description and photographs of paddleboards on Lake Bosumtwi located about 100 miles inland of Cape Coast, Ghana. The Asante believe the “anthropomorphic lake god,” Twi, prohibited canoes on the lake. Keeping with divine sanctions, people fished from paddleboards, called padua, or mpadua (plural) and used them to traverse this 5-mile-wide crater lake.
German merchant-adventurer Michael Hemmersam provided the first known record of surfing, which is problematic as he described a sport that was new to him. Believing he was watching Gold Coast children, who were probably Fante in the Cape Coast, Ghana area, learn to swim, he wrote parents “tie their children to boards and throw them into the water,” with other Europeans providing similar descriptions. Most Africans learned to swim when they were about 16 months and with more positive reinforcement; while such lessons would have resulted in many drowned children.
Later accounts are unambiguous. For instance, in 1834, while at Accra, Ghana, James Alexander wrote: “From the beach, meanwhile, might be seen boys swimming into the sea, with light boards under their stomachs. They waited for a surf; and came rolling like a cloud on top of it.”
There are also accounts of Africans bodysurfing. In 1887, an English traveler watched, as an African man named Sua, at home “in his element, dancing up and down and doing fancy performances with the rollers, as if he had lived since his infancy as much in the water as on dry land.” As a wave approached, “he turns his face to the shore and rising on to the top of it he strikes out vigorously with it towards land, and is carried dashing in at a tremendous speed after the same manner as the [surf-canoes] beach themselves.”
Fishermen often surfed their 6-foot-long paddle-boards and surf-canoes weighing about 15 pounds, with accounts describing both off the Cape Verde Islands, Ivory Coast, Congo-Angola and Cameroon, with “Kru” canoes of Liberia being heavily documented. In 1861, Thomas Hutchinson observed Batanga fishermen from southern Cameroon riding surf-canoes “no more than six feet in length, fourteen to sixteen inches in width, and from four to six inches in depth” and weighed about fifteen pounds. Describing how work turned to play, Hutchinson penned:
During my few days stay at Batanga, I observed that from the more serious and industrial occupation of fishing they would turn to racing on the tops of the surging billows which broke on the sea shore; at one spot more particularly, which, owing to the presence of an extensive reef, seemed to be the very place for a continuous swell of several hundred yards in length. Four or six of them go out steadily, dodging the rollers as they come on, and mounting atop of them with the nimbleness and security of ducks. Reaching the outermost roller, they turn the canoes stems shoreward with a single stroke of the paddle, and mounted on the top of the wave, they are borne towards the shore, steering with the paddle alone. By a peculiar action of this, which tends to elevate the stern of the canoe so that it will receive the full impulsive force of the advancing billow, on they come, carried along with all its impetuous rapidity.
Surfing was a means for opening up economic opportunities. It allowed Africans to critically understand surf-zones so they could uniquely traversed them in surf-canoes, linking coastal communities to offshore fisheries and coastal shipping lanes. Atlantic Africa possesses few natural harbors and waves break along much of its coastline. The only way many coast people could access the ocean’s resources was by designing surf-canoes that sliced through waves when launching from beaches and were fast, agile, and maneuverable, allowing them to surf waves ashore.
Surfing was the intergenerational transmission of wisdom that transformed surf-zones into social and cultural places, where youth holistically experienced the ocean. Suspending their bodies in the drink and positioning themselves in the curl, they learned about surf-zones by seeing and feeling how the ocean pushed and pulled their bodies. Youth learned about wavelengths (the distance between waves), the physics of breakers and that waves form in sets with several-minute intervals between sets. Importantly, surfing taught youth that to catch waves one needed to match their speed — something Westerners did not comprehend until the late 19th century. Documenting how surf-canoemen utilized childhood lessons, an Englishman noted that they “count the Seas [waves], and know when to paddle safely on or off,” often waiting to surf the last and largest set wave.
In an age with few energy sources — when societies harnessed wind, animal, and, perhaps, river power — Atlantic Africans used waves to slingshot surf-canoes laden with fish or tons of cargo ashore; being the only people to bridle waves’ energy as part of their daily productive labor. Surf-canoemen floated colonial economies, transporting virtually all the goods exported out of and imported into Africa between ship-and-shore from the 1400s into the 1950s, when modern ports were constructed.
During the 1400s, surf-canoemen introduced Europeans to the pleasures of surfing, since few Europeans at the time could swim well enough to surf. In 1853, Horatio Bridge provided an exaggerated account of surf-canoeing at Cape Coast, writing, “The landing is effected in large canoes, which convey passengers close to the rocks, safely and without being drenched, although the surf dashes fifty feet in height. There is a peculiar enjoyment in being raised, by an irresistible power beneath you, upon the of high rollers, and then dropped into the hollow of the waves, as if to visit the bottom of the ocean.” Some surf-canoemen attached a chair to the front of their canoes, where especially intrepid White passengers could sit.
Surf-canoemen knew Europeans feared drowning and being devoured by sharks the instant they fell into African waters. Using this knowledge, they inflated the tips received from passengers by engaging in nautical games of chicken, as Paul Isert observed on October 16, 1783, at Christianburg Castle, Accra:
In vain have Europeans tried to breast the breakers and to land in their own small pointed boats. These have almost always capsized. . . . The Blacks now started to prepare themselves to breast the breakers. The captain of the canoe made a short address to the sea, after which he sprinkled a few drops of brandy as an offering. At the same time he struck both sides of the canoe several times with his clenched fist. He warned us Europeans to hold fast. The whole performance was carried out with such gravity that we felt almost as if we were preparing for death. An additional cause for alarm is that, having started to go through the breakers, they must often paddle back again because they had not timed it to the right moment. They are said to do this often deliberately in order to torment the Whites in the breakers for a long time, so that in acknowledgement of their great struggle they would be given a larger bottle of brandy. In a few minutes, however, we were safely across and our boat was on the sand.
As surfers must realize, these Ga surf-canoemen prolonged Europeans’ time in surf-zones by pretending their timing was off, as “it is customary on” such occasions for “each passenger” to “make a handsome present” to the surf-canoemen.
Surf-canoes were sacred objects, carved, with iron tools, from sacred silk cottonwood trees, while the ocean remains a spiritual place. Tall and majestic, cottonwoods connected the heavens and earth, with some societies believing the souls of children waiting to be born resided within them. Surf-canoes had a gender that determined how they surfed waves, while cottonwood’s soul continued to dwell in surf-canoes, communicating with water spirits. The ancestral realm lay at the bottom of the ocean whose waters were populated with spirits and deities. Fishermen and maritime merchants made sacrifices to surf-canoes and aquatic deities who rewarded them with safe passages and prosperous voyages. People from Senegal to South Africa and as far inland as the Dogon of Mali and Burkina Faso believed in deities who resemble mermaids, with Mami Wata, meaning “Mother Water,” being the most celebrated of these finned divinities. She is a benevolent protective spirit with great powers, including the ability to move between the present and future. She protected followers from drowning and pulls individuals who are swimming, canoeing, and conceivably surfing, down into the spirit realm, revealing its mysteries to them, returning them to the surface with enhanced spiritual understandings, good health, and success, while making them more attractive. Waters possessing distinguishing characteristics, like surf-zones, whirlpools, and waterfalls, are the favorite abode of water spirits, including Mami Wata, with the sound of moving water echoing spirits’ voices.
Like surfboard shapers, canoe-makers designed surf-canoes to better surf particular types of waves. There were hundreds of surf-canoe variations with each distinct enough to warrant its own name. Design nuances were informed by local conditions, like the steepness of the beach and size, shape and power of waves. Ga fishermen of Labadi used three types of surf-canoes along a couple miles of beachfront: the Ali lele, the Fa lele, and Tfani lele.
The Fante developed and disseminated the three-pronged surf-canoe paddle that resembles a spork. When paddled quickly, its three slightly-spread fingers increase the blade’s surface area as little water passed between them. The design also reduced resistance if the blade hits a wave during the forward stroke. The Fante traveled widely, ranging as far north as Liberia and down to Angola, disseminating their surfing prowess and maritime designs. Indeed, the Ga adopted the Fante paddle during the 1700s, causing Bruce Brown, in the “Endless Summer,” to problematically joke about cannibalism, saying when surf-canoemen come “paddling toward you, you think they’re coming out with their forks to have you for diner.”
To the north, there were distinctive-looking Senegambian pirogues, with their protruding bow and aft sprints. These surf-canoes were apparently developed by Niuminka or Niumi mariners living on the Djomboss Islands north of the Gambia River, with Lebu (also Lébou) from the Cape Verde Peninsula and members of other ethnic groups making important contributions. Pirogues surf waves well and are particularly designed to ride the larger, steeper, hollow waves that broke along the Senegambia’s western-facing beaches.
The currents of the African diaspora forcibly transplanted enslaved Africans and their cultures in the Americas. There, Mami Wata and other deities found new waters to roam and captives recreated their aquatic traditions. Accounts indicate that, by the 1700s, enslaved Africans were surfing and surf-canoeing from South Carolina down to Brazil.
[Click here to preorder your copy of “Afrosurf”]